{"id":48918,"date":"2024-01-07T15:38:52","date_gmt":"2024-01-07T12:38:52","guid":{"rendered":"https:\/\/imgazete.tr\/yalova-cinarcik\/?p=48918"},"modified":"2024-02-18T22:55:20","modified_gmt":"2024-02-18T19:55:20","slug":"abbaya-yunus-emreyi-ogreten-kadin-ayla-algan-sen-de-yorulup-gittin-yolun-isik-olsun","status":"publish","type":"post","link":"https:\/\/imgazete.tr\/yalova-cinarcik\/sanat\/abbaya-yunus-emreyi-ogreten-kadin-ayla-algan-sen-de-yorulup-gittin-yolun-isik-olsun\/","title":{"rendered":"ABBA\u2019ya Yunus Emre\u2019yi \u00d6\u011freten Kad\u0131n: Ayla Algan, sen de yorulup gittin, yolun \u0131\u015f\u0131k olsun"},"content":{"rendered":"
\n
<\/div>\n
\n

Ayla Algan\u2019\u0131n G\u00fczel Hayat\u0131 Bize Hediyedir<\/h1>\n

\u201cHayvan\u0131 do\u011fa, insan\u0131 k\u00fclt\u00fcr korur\u201d<\/strong><\/p>\n

Y\u0131llar\u0131n Ayla Algan\u2019\u0131n\u0131n ya\u015fam\u0131n\u0131 buraya s\u0131\u011fd\u0131ramay\u0131z asl\u0131nda. Akl\u0131n\u0131n, imajinasyonunun, yapt\u0131klar\u0131n\u0131n h\u0131z\u0131na yeti\u015femedik.\u00a0 Bir insan\u0131n ya\u015fam\u0131, ba\u015flad\u0131\u011f\u0131 andan itibaren sanat\u0131n kendisi olabilirmi\u015f, bunu akl\u0131m\u0131za kaz\u0131yabildik sayesinde. <\/strong>
\n\u015eimdi yoruldu ve gitti. Yolu \u0131\u015f\u0131k olsun, yatt\u0131\u011f\u0131 yer incitmesin diyoruz. \u0130yi ki oldun, iyi ki ge\u00e7tin hayat\u0131m\u0131zdan, iyi ki dokundun bilincimize u\u011furlar olsun…<\/strong><\/p>\n<\/div>\n<\/header>\n

\n

\"\"29 Ekim 1937\u2019de d\u00fcnyaya gelen Ayla Algan<\/strong>, \u00e7ok \u015fenlikli bir evde b\u00fcy\u00fcr.
\nYarat\u0131c\u0131 drama asl\u0131nda evde ba\u015flam\u0131\u015ft\u0131r. Nota bilmedi\u011fi halde piyano \u00e7alan dedesine o da kap kacakla e\u015flik eder.
\nK\u00fc\u00e7\u00fck ya\u015fta Ferdi Stadzer\u2019in \u00f6\u011frencisi olur.
\nRessam-heykelt\u0131ra\u015f olan annesi Nevzat Kasman, \u0130brahim \u00c7all\u0131\u2019n\u0131n \u00f6\u011frencisidir.
\nAnnesinin yurtd\u0131\u015f\u0131nda \u00f6\u011frendi\u011fi danslar\u0131, duvara tutunup onun gibi samba yaparak taklit eder. Daha y\u00fcr\u00fcmeyi \u00f6\u011frenmeden cha-cha,\u2019y\u0131, mamba\u2019y\u0131 \u00f6\u011frenir. Madam Pudica, ona Frans\u0131zca ve Rumca \u00f6\u011fretir. Daha do\u011fru d\u00fczg\u00fcn konu\u015famazken, o dillerde \u015fark\u0131lar s\u00f6yler. B\u00f6yle b\u00fcy\u00fcr.
\nD\u00fc\u015f\u00fcn\u00fcn, 12 ya\u015f\u0131ndayken en b\u00fcy\u00fck e\u011flencesi, Kandille\u2019de oturan Muammer Bey\u2019e \u015fiir g\u00f6t\u00fcrmek. \u015eiirinde ise tekneye ba\u011fl\u0131 bir bot \u00fczerinden tutsakl\u0131k\/\u00f6zg\u00fcrl\u00fck tezatl\u0131\u011f\u0131n\u0131 anlat\u0131r. Girit g\u00f6\u00e7meni bir ailenin k\u0131z\u0131 olarak B\u00fcy\u00fckada\u2019da Museviler, Rumlar ve Ermenilerle curcunal\u0131 bir \u00e7ocukluk ya\u015far. Bir de Ada g\u00fczeli se\u00e7ilir. Lisedeyken arkada\u015f\u0131n\u0131n d\u00fc\u011f\u00fcn\u00fcnde Beklan Algan ile tan\u0131\u015f\u0131r ve be\u015f-alt\u0131 ay sonra evlenip Amerika\u2019ya giderler. U\u00e7aktaki \u201cdon\u2019t smoke\u201d uyar\u0131s\u0131n\u0131, smokinle binilmez sanacak kadar toylard\u0131r daha. Ayla Algan \u0130ngilizce ve psikoloji okumay\u0131 planlarken, Beklan Algan da babas\u0131n\u0131n madencilik i\u015flerini takip etmeyi d\u00fc\u015f\u00fcn\u00fcr. Ama yol onlar\u0131 MarlonBrando, Marlyin Manroe, Paul Newman, Tony Curtis gibi isimlerin gitti\u011fi ve Elia Kazan, Joshua Logan gibi hocalar\u0131n ders verdi\u011fi Actors Studio\u2019ya \u00e7\u0131kar\u0131r. I\u015f\u0131k dehas\u0131 olarak bilinen Joshua Logan\u2019\u0131n \u201cen zor \u015fey, bir yere geldikten sonra, o yeri tutmakt\u0131r\u201d s\u00f6z\u00fc Ayla Algan\u2019\u0131n akl\u0131na kaz\u0131n\u0131r. Orada psikolojik beden dili, yarat\u0131c\u0131 drama okur. Sahneye ilk kez \u201cBaby Doll\u201d ile Amerika\u2019da \u00e7\u0131kar. Art\u0131k m\u00fckemmel Frans\u0131zcas\u0131na, \u0130ngilizce de eklenmi\u015ftir. Sonra Off Broadway\u2019de oynarlar.Actors Studio, New York\u2019un \u00f6nemli tiyatro merkezlerinden biri. Columbia Pictures ile anla\u015fmal\u0131 oldu\u011fu i\u00e7in oradan sinemaya s\u0131\u00e7ramak da m\u00fcmk\u00fcn. O ara hen\u00fcz \u00fcnlenmemi\u015f olan Tony Curtis, yapt\u0131\u011f\u0131 bir \u00e7al\u0131\u015fmada Ayla Algan\u2019a kendisine e\u015flik etmesini teklif eder. Bu \u00e7al\u0131\u015fmalar s\u0131ras\u0131nda, onu izleyen y\u00f6netmen William Wyler, Funny Brice\u2019\u0131n hayat\u0131n\u0131 anlatan \u201cFunny Girl\u201d filmi i\u00e7in Ayla Algan\u2019a teklif g\u00f6t\u00fcr\u00fcr. \u00d6n\u00fcne sekiz y\u0131ll\u0131k kontrat konunca, Tony Curtis, \u201ce\u011fer imzalarsan, sonra paranla bile kendini sat\u0131n alamazs\u0131n\u201d der. Ayla Algan teklifi reddeder. \u00c7\u00fcnk\u00fc onun i\u00e7in \u00f6nemli olan ulus kimli\u011fidir. Jean Paul Belmando ile Fransa\u2019da ald\u0131\u011f\u0131 film teklifini de ayn\u0131 sebepten kabul etmez. \u201cFunny Girl\u201dde yerine oynayan Barbara Stresisand, Oscar\u2019\u0131 kazan\u0131r. Bu da Ayla Algan\u2019\u0131n Barbara Stresisand\u2019a k\u0131ya\u011f\u0131 olur.<\/p>\n

\u201cHamlet\u201dte hem Hamlet\u2019i hem Ophelia\u2019y\u0131 oynar. O d\u00f6nem, M\u00fcjdat Gezen ve Ali Poyrazo\u011flu yeni mezundur ve rol\u00fcn ikisinden birine verilece\u011fini beklerlerken rol, yirmi alt\u0131 ya\u015f\u0131nda bir kad\u0131n oyuncuya gider. \u00d6yle az ki kad\u0131n Hamlet\u2019ler, Rumeli Hisar\u0131\u2019ndan nefes nefese \u00e7\u0131karken bir teyze, Ayla Algan\u2019a \u201co\u011flum dur, ko\u015fma\u201d diye seslenir.<\/p>\n

Ayla Algan<\/strong>, sar\u0131laca\u011f\u0131 tek \u015feyin k\u00fclt\u00fcr oldu\u011funu anlar. \u201cHayvan\u0131 do\u011fa, insan\u0131 k\u00fclt\u00fcr korur<\/strong>\u201d. S\u0131k s\u0131k bu s\u00f6z\u00fc kullan\u0131r.
\nHaldun Dormen<\/strong>, Ayla Algan\u2019\u0131n ara\u015ft\u0131rmac\u0131 kimli\u011finden \u201c\u0130kinci Perde\u201d kitab\u0131nda \u015f\u00f6yle bahseder: \u201c\u2026 \u201cKu\u015flar\u201d\u0131n kadrosunda Zihni G\u00f6ktay, H\u00fcmeyra, \u0130smet Ay, Birsen Kaplang\u0131, Ayla Algan, Funda Postac\u0131 ve Osman G\u00f6rgen gibi isimler vard\u0131.
\nAram\u0131zda en ilgin\u00e7 ki\u015fi, ku\u015flardan birini oynayan Ayla Algan\u2019d\u0131 hi\u00e7 ku\u015fkusuz. Onun bir rol i\u00e7in bitmez t\u00fckenmez ara\u015ft\u0131rmac\u0131 y\u00f6n\u00fcn\u00fc hi\u00e7 bilmiyordum. Her sabah provaya yeni bir ansiklopedi devirmi\u015f olarak geliyor ve beni \u201cku\u015flar\u0131n bir inek g\u00f6rd\u00fckleri zaman reaksiyonlar\u0131 \u00e7ok ilgin\u00e7\u201d gibi uzun bir tiratla kar\u015f\u0131l\u0131yordu. Ben de onu k\u0131rmamak i\u00e7in s\u00f6ylediklerini ilgiyle dinlemeye \u00e7al\u0131\u015f\u0131yor, bir yandan da \u201ciyi ho\u015f da bizim oyunda inek yok ki\u201d diye d\u00fc\u015f\u00fcnmekten kendimi alam\u0131yordum.
\nAyla, ger\u00e7ekten \u00e7ok yetenekli bir oyuncu ve i\u00e7ten, sevecen bir insand\u0131 ama bu t\u00fcr ayr\u0131nt\u0131l\u0131 metot \u00e7al\u0131\u015fmas\u0131, \u00f6zellikle bu oyun i\u00e7in bana b\u00fcy\u00fck bir zaman kayb\u0131 gibi geliyordu. Ona bunu s\u00f6yleyemedi\u011fimden; ertesi sabah gene ayn\u0131 bi\u00e7imde bir c\u00fcmleyle kar\u015f\u0131lan\u0131yordum. \u201cBenim t\u00fcr\u00fcmdeki bir ku\u015f d\u00fc\u015fman\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fc zaman, sa\u011f kanad\u0131n\u0131 hi\u00e7 k\u0131p\u0131rdatmazm\u0131\u015f.\u201d Acaba bunu oyunun neresinde yapmay\u0131 planl\u0131yor diye d\u00fc\u015f\u00fcn\u00fcyordum\u2026\u201d<\/p>\n

\"\"<\/p>\n

\u00d6nceleri Sartre\u2019\u0131n, Camus\u2019nun, Hegel\u2019in ve di\u011fer Bat\u0131l\u0131 filozoflar\u0131n etkiledi\u011fi hayat\u0131n\u0131 sonunda tasavvuf y\u00f6nlendirir. Yunus Emre vazge\u00e7ilmezi olur. K\u0131z\u0131na \u201cSevi<\/strong>\u201d ad\u0131n\u0131 vermesi Yunus Emre<\/strong> a\u015fk\u0131ndan. Ayla Algan, geze geze t\u00fcm d\u00fcnyaya Yunus Emre \u015fark\u0131lar\u0131 s\u00f6yler. Asl\u0131nda Ajda Pekkan\u2019a teklif edilecekken Erkan \u00d6zarman\u2019\u0131n, \u201cfelsefesini bilen birisinin yapmas\u0131 daha uygun olur\u201d s\u00f6zleriyle hayat\u0131n\u0131n kav\u015faklar\u0131ndan birinde bulur kendini. \u015eark\u0131c\u0131l\u0131\u011f\u0131 da t\u0131pk\u0131 oyunculu\u011fu gibi kendine has renkler i\u00e7erir. K\u00e2h k\u00f6yl\u00fc kad\u0131n olur, k\u00e2h de\u011fme pop \u015fark\u0131c\u0131s\u0131, k\u00e2h \u015fehir soylu\u2026 Kad\u0131n a\u011fz\u0131 halk t\u00fcrk\u00fclerini, teatral bir \u00fcslupla yeniden yorumlar. Karadeniz turnesinde \u00e7ay ekerken kocas\u0131na k\u00fcfreden kad\u0131ndan duydu\u011fu s\u00f6zleri not eder. \u201cHamsi Pal\u0131\u011f\u0131 Gibi\u201d \u00f6yle \u00e7\u0131kar. \u201cKoca \u00d6k\u00fcz\u201d uzun d\u00f6nem onun ad\u0131yla an\u0131l\u0131r.<\/p>\n

1980\u2019de sanat hayat\u0131na Almanya\u2019da, Schaub\u00fchne Tiyatrosu\u2019unda i\u015f\u00e7i tiyatrosu yaparak devam eder. Peter Stein\u2019dan ideal bir \u00e7a\u011fr\u0131 al\u0131rlar. \u201cGelin, s\u00fcrt\u00fc\u015fmeye ba\u015flayan bu iki toplumu bir camiye (tiyatroya) sokal\u0131m, T\u00fcrklerin de tiyatrosu olsun, k\u00fclt\u00fcrlerini kaybetmesin.\u201dBeklan Algan, Kerim Af\u015far, Macit Koper, \u015eener \u015een, Tuncel Kurtiz, Dilek T\u00fcrker, Erg\u00fcder Yolda\u015f<\/strong> oradad\u0131r. \u201cGiden Tez Geri D\u00f6nmez\u201d oyunlar\u0131 \u00e7ok tutulur. \u201cKe\u015fanl\u0131 Ali Destan\u0131\u201d, \u201cTalihli Amele\u201d, \u201cKurban\u201d ve \u201cKelo\u011flan\u201d\u0131 oynarlar.<\/p>\n

Muhsin Ertu\u011frul, bir\u00e7ok tiyatrocu gibi Ayla-Beklan Algan \u00e7ifti i\u00e7in de \u00e7ok \u00f6zel bir yerde. Amerika\u2019dayken Beklan Algan, Cevat \u00c7apan\u2019a Stanislavksi\u2019nin kitab\u0131n\u0131 al\u0131yor ve Muhsin Hoca\u2019yla g\u00f6ndermek istiyor ama Muhsin Ertu\u011frul, yerim yok diyerek onu reddediyor. \u00c7\u00fcnk\u00fc kitaba yer bulamad\u0131\u011f\u0131 bavulu t\u0131ka basa tuhaf has\u0131rlarla dolu. Zaman ge\u00e7iyor, hepsi \u00fclkeye d\u00f6n\u00fcyor. Muhsin Ertu\u011frul, Beklan Algan\u2019dan kendisini Ankara\u2019ya g\u00f6t\u00fcrmesini rica ediyor. Tam Ankara\u2019ya girerken sa\u011fdaki sapa\u011fa d\u00f6nmesini istiyor. O sapaktan bir k\u00f6ye ula\u015f\u0131yorlar. K\u00f6yl\u00fcler, Muhsin Ertu\u011frul\u2019un etraf\u0131n\u0131 sar\u0131yor, sar\u0131l\u0131p \u00f6p\u00fcyor. O da bagajdan o has\u0131rlar\u0131 \u00e7\u0131kar\u0131yor. Me\u011fer k\u00f6yl\u00fc s\u00fcp\u00fcrge yap\u0131yormu\u015f. Muhsin Ertu\u011frul da s\u00fcp\u00fcrgeler s\u0131radan olmas\u0131n, daha yarat\u0131c\u0131 olsun diye onlara malzeme g\u00f6t\u00fcr\u00fcyormu\u015f.<\/p>\n

Muhsin Ertu\u011frul\u2019un yak\u0131\u015f\u0131ks\u0131z bi\u00e7imde g\u00f6revinden al\u0131nmas\u0131 \u00fczerine, Ayla Algan ve Beklan Algan, Haldun Taner\u2019le birlikte T\u00fcrkiye\u2019nin ilk \u00f6zel tiyatro okulu olan LCC\u2019yi a\u00e7\u0131yor. Ba\u015fa Beklan Algan ge\u00e7iyor. Ayla Algan, mek\u00e2nla ilgili do\u011fa\u00e7lamalar yapt\u0131r\u0131yor. Var etti\u011fi mek\u00e2nlar y\u0131k\u0131ld\u0131k\u00e7a, Beklan Algan, Anka ku\u015fu misali yeniden do\u011fmas\u0131n\u0131 biliyor. Kapand\u0131\u011f\u0131nda mobilya galerisine d\u00f6nen o mek\u00e2nda \u201cMarat-Sade\u201d \u00e7ok de\u011fi\u015fik bir sahnelemeyle oynan\u0131yor. Keza \u201cIrgat\u201d da \u00f6yle. 3 y\u0131l sonra oradan ayr\u0131ld\u0131\u011f\u0131nda Genco Erkal ile \u201cRosenbergler \u00d6lmemeli\u201dyi oynuyor.<\/p>\n

Ayla Algan\u2019\u0131 hep gen\u00e7 k\u0131lan sanatsal ya\u015fam\u0131ndaki denemeci ki\u015fili\u011fi. Yeniliklerle \u00f6zde\u015fle\u015fmesi. \u0130nad\u0131\u2026 Merak\u0131. Hep soru soruyor. Y\u00fczde y\u00fcz neyi biliyorum en \u00f6nemli sorusu. 1984\u2019te kurulan Bilsak\u2019ta dersler verir. Prof. S\u00fcleyman Velio\u011flu ile birlikte resim ve tiyatro ile yarat\u0131c\u0131 drama, resim ile art terapi, ontoloji konular\u0131nda felsefi ve pratik \u00e7al\u0131\u015fmalar ger\u00e7ekle\u015ftirir.<\/p>\n

\"\"<\/p>\n

1988\u2019de Beklan Algan, Erol Keskin, Haluk \u015eevket Ataseven ile birlikte Tiyatro Ara\u015ft\u0131rma Laboratuar\u0131\u2019n\u0131 kurarlar. Burada deneysel projeler \u00fczerine \u00e7al\u0131\u015f\u0131rlar. Tiyatro antropolojisini, seyirci dramaturjisini, seyirciyi yarat\u0131c\u0131 k\u0131lman\u0131n yollar\u0131n\u0131, Gratowski\u2019yi, Dario Fo\u2019yu, Tabiani\u2019yi, Comedyd\u2019ell Arte\u2019yi ara\u015ft\u0131r\u0131rlar. \u201cAnadolu \u0130nsan\u0131n\u0131n K\u00fclt\u00fcrel Kimli\u011finde Oyun\u201d, \u201cTroya \u0130\u00e7inde Vurdular Beni\u201d, \u201cEverest My Lord\u201d, \u201cS\u0131n\u0131rlar\u201d, \u201cCasandra\u2019n\u0131n G\u00fcnl\u00fc\u011f\u00fc\u201d, \u201cG\u0131lgame\u015f\u201d, \u201cTroyal\u0131 Kad\u0131nlar\u201d oradan \u00e7\u0131kan \u00e7al\u0131\u015fmalard\u0131r.<\/p>\n

\u201cTarla Ku\u015fuydu J\u00fcliet\u201d, \u201c\u00c7il Horoz\u201d, \u201cKu\u015flar\u201d, \u201cNesrin\u201d, \u201c\u00dc\u00e7 Kuru\u015fluk Opera\u201d, \u201c\u0130stanbul G\u00f6zleri Mahmur\u201d, \u201cMisyon\u201d, \u201cOrkestra\u201d, \u201cNaz\u0131m\u2019a Arma\u011fan\u201d, \u201cHayvanlar Karnaval\u0131\u201d, \u201cBir Sergiden Tablolar\u201d, \u201cPeer Gynt\u201d oyunlar\u0131ndan baz\u0131lar\u0131d\u0131r. Kenan I\u015f\u0131k y\u00f6netimindeki \u015eeyh Galib\u2019in \u201cA\u015fk Hastas\u0131\u201d oyunuyla \u015fehir tiyatrolar\u0131ndan emekli olur. 1965\u2019te \u201cFizik\u00e7iler\u201d oyunu ile \u0130lhan \u0130skender \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcl\u00fcr. Ancak tiyatronun kolektif bir sanat oldu\u011funu hat\u0131rlatarak \u00f6d\u00fcl\u00fc reddeder ve takip eden y\u0131llarda da \u00f6d\u00fcl\u00fc d\u00fczeltir; bran\u015fla\u015fmas\u0131n\u0131 sa\u011flar. Kendisi o g\u00fcnleri \u015f\u00f6yle anlat\u0131r: \u201cMahmut Moral\u0131 oynamam i\u00e7in tutturunca \u00e7ok gen\u00e7 ya\u015fta \u201cFizik\u00e7iler\u201di oynad\u0131m. Beklan istemiyordu, sonra peki dedi. Sen annenin pard\u00f6s\u00fcs\u00fcn\u00fc giy, -i\u015fte kambur koyaca\u011f\u0131m s\u0131rt\u0131ma- vur kendini sokaklara\u2026 Derken Haldun Dormen\u2019e rastl\u0131yorum sokakta. Bak\u0131yorlar bana, Ayla hasta m\u0131s\u0131n, neyin var diyorlar. B\u00fct\u00fcn o ili\u015fkileri ben sokaktan \u00f6\u011frendim. \u201cSezuan\u2019\u0131n \u0130yi \u0130nsan\u0131\u201dnda da sokaktan \u00f6\u011frendim. Beklan bana \u201cgit kerhaneleri gez\u201d diyor. K\u0131z orospu \u00e7\u00fcnk\u00fc. Kuledibi\u2019nde bir kerhane var, en ucuzu. \u201cYaln\u0131z\u201d dedim, \u201cpolisler filan gelmesin, gazeteciler de gelmesin. Babam duysa\u2026 \u201d Neyse tam \u00e7\u0131k\u0131yorum oradan\u2026 Gazeteciler! Sonra gazetelerde \u201cKerhaneci Ayla Algan\u2026 \u201d diye haberim \u00e7\u0131kt\u0131. Babam onu g\u00f6r\u00fcyor. Gece eve geliyor. Beklan\u2019a diyor ki \u201chadi bu tiyatro delisi, ara\u015ft\u0131rma yapmak i\u00e7in kerhaneye gidiyor ama sen kocas\u0131s\u0131n, nas\u0131l b\u0131rak\u0131yorsun bunu?\u201d Ben de g\u00fcl\u00fcyorum, o yollad\u0131 beni diye. Neyse \u201cFizik\u00e7iler\u201di oynuyoruz. Bakt\u0131m Muhsin Hoca, kap\u0131m\u0131n \u00f6n\u00fcnde bekliyor. Tam sahneye \u00e7\u0131kaca\u011f\u0131m ki bana kamburunu, kolunu kullanma dedi. Haydaa\u2026 Ama ne kadar hakl\u0131ym\u0131\u015f. Bana o oyunumla, en iyi oyuncu \u00f6d\u00fcl\u00fcn\u00fc, \u0130lhan \u0130skender Arma\u011fan\u0131\u2019n\u0131 verdiler. Nejdet Ma\u011ffi, Zihni Rona, M\u00fccap Ofluo\u011flu olmasa ben o kadar g\u00fczel oynayabilir miydim?\u201d Ayr\u0131ca; 1967 y\u0131l\u0131nda \u201cAh G\u00fczel \u0130stanbul\u201d filmi ile San Remo Bordighera Film \u015eenli\u011fi G\u00fcm\u00fc\u015f A\u011fa\u00e7 \u00d6d\u00fcl\u00fc, 1972\u2019de ald\u0131\u011f\u0131 devlet sanat\u00e7\u0131l\u0131\u011f\u0131 ve UNICEF Onur \u00d6d\u00fcl\u00fc, 1973\u2019te Bulgaristan\u2019daki Uluslararas\u0131 Alt\u0131n Orfe \u015eark\u0131 Yar\u0131\u015fmas\u0131nda ikincilik \u00f6d\u00fcl\u00fc, 1974\u2019te Olimpia birincili\u011fi, 1966\u2019da T\u00fcrkiye Yazarlar Birli\u011fi En \u0130yi Oyuncu \u00d6d\u00fcl\u00fc, 1997\u2019de Polonya Sopot Festivali\u2019nde d\u00fcnya birincili\u011fi ve pek \u00e7ok onur \u00f6d\u00fcl\u00fc al\u0131r.<\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ayla Algan\u2019\u0131n G\u00fczel Hayat\u0131 Bize Hediyedir \u201cHayvan\u0131 do\u011fa, insan\u0131 k\u00fclt\u00fcr korur\u201d Y\u0131llar\u0131n Ayla Algan\u2019\u0131n\u0131n ya\u015fam\u0131n\u0131 buraya s\u0131\u011fd\u0131ramay\u0131z asl\u0131nda. Akl\u0131n\u0131n, imajinasyonunun, yapt\u0131klar\u0131n\u0131n h\u0131z\u0131na yeti\u015femedik.\u00a0 Bir insan\u0131n ya\u015fam\u0131, ba\u015flad\u0131\u011f\u0131 andan itibaren sanat\u0131n kendisi olabilirmi\u015f, bunu akl\u0131m\u0131za kaz\u0131yabildik sayesinde. \u015eimdi yoruldu ve gitti. Yolu \u0131\u015f\u0131k olsun, yatt\u0131\u011f\u0131 yer incitmesin diyoruz. \u0130yi ki oldun, iyi ki ge\u00e7tin hayat\u0131m\u0131zdan, iyi […]<\/p>\n","protected":false},"author":2,"featured_media":48920,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1391],"tags":[1793,1798,1800,1807,1797,1795,1801,1813,1796,1806,1811,1808,1810,1794,1799,1805,1803,1809,1804,1812,1802],"class_list":["post-48918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat","tag-ayla-algan","tag-beklan-algan","tag-camus","tag-giden-tez-geri-donmez","tag-haldun-dormen","tag-hayvani-doga","tag-hegel","tag-imajinasyon","tag-insani-kultur-korur","tag-isci-tiyatrosu","tag-keloglan","tag-kesanli-ali-destani","tag-kurban","tag-nota","tag-sartre","tag-schaubuhne-tiyatrosu","tag-sevi","tag-talihli-amele","tag-teatral","tag-ugurlar-olsun","tag-yunus-emre"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/posts\/48918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/comments?post=48918"}],"version-history":[{"count":0,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/posts\/48918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/media\/48920"}],"wp:attachment":[{"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/media?parent=48918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/categories?post=48918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imgazete.tr\/yalova-cinarcik\/wp-json\/wp\/v2\/tags?post=48918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}